Harper’s Bazaar
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Belonging: The Business Case for Diversity in Fashion
How can an exclusive business built on keeping people out let more people in?

Belonging: The Business Case for Diversity in Fashion
How can an exclusive business built on keeping people out let more people in?

#BoFLIVE: The State of Fashion Magazines
BoF's Lauren Sherman speaks with some of fashion's most seasoned editors about what it means to reinvent the fashion magazine.

#BoFLIVE: The State of Fashion Magazines
BoF's Lauren Sherman speaks with some of fashion's most seasoned editors about what it means to reinvent the fashion magazine.

A Reckoning and Reboot for Fashion Media
As anti-racism protests spread from the streets to the corridors of powerful magazines like Vogue, the appointment of Samira Nasr, the first woman of colour to run Harper’s Bazaar, may offer a path forward.

A Reckoning and Reboot for Fashion Media
As anti-racism protests spread from the streets to the corridors of powerful magazines like Vogue, the appointment of Samira Nasr, the first woman of colour to run Harper’s Bazaar, may offer a path forward.

Power Moves | Hearst Names Samira Nasr Editor-In-Chief of Harper’s Bazaar, Munroe Bergdorf Joins L’Oréal in D&I Role
This week Harper’s Bazaar appointed its first black editor in the magazine’s 153-year history, while beauty giant L’Oréal announced the transgender model will consult on its diversity and inclusion advisory board.

Power Moves | Hearst Names Samira Nasr Editor-In-Chief of Harper’s Bazaar, Munroe Bergdorf Joins L’Oréal in D&I Role
This week Harper’s Bazaar appointed its first black editor in the magazine’s 153-year history, while beauty giant L’Oréal announced the transgender model will consult on its diversity and inclusion advisory board.

When the September Issue Is the Only Issue
The Covid-19 crisis may reconfigure the publishing rhythms of glossy print magazines until there’s little left, writes Amy Odell.

When the September Issue Is the Only Issue
The Covid-19 crisis may reconfigure the publishing rhythms of glossy print magazines until there’s little left, writes Amy Odell.